Opening Day Report
Ajay Devgn’s highly anticipated sequel Son of Sardaar 2 opened with a moderate ₹6.75 crore net collection on Day 1 at the Indian box office. Despite strong brand recall and a mass appeal genre, the film fell short of expectations, especially when compared to the original 2012 hit.
Box Office Breakdown
| Metric | Value |
|---|---|
| Day 1 India Net | ₹6.75 crore |
| Genre | Comedy, Action |
| Opening Day Occupancy | 22.56% average |
| Top Performing Cities | Lucknow, Jaipur |
| Weakest Regions | Mumbai, Kolkata |
Occupancy Details
Morning Shows: ~10.24%
Afternoon Shows: ~17.88%
Evening Shows: ~21.84%
Night Shows: ~40.27%
The occupancy picked up slightly toward the evening, but it wasn't enough to make a strong impact overall.
Competition Impact
The release of Dhadak 2 on the same day offered little resistance, as it managed only ₹3.35 crore. However, the real competition came from ongoing blockbusters like Saiyaara, which is still dominating screens and audiences across metros and Tier-2 cities.
Critical Reception & Audience Feedback
The film received mixed to poor reviews, with many citing a weak screenplay, outdated humor, and lack of emotional depth. Even die-hard fans of Ajay Devgn found the film lacking the punch of the original.
Comparative Analysis
| Film | Day 1 Collection |
|---|---|
| Son of Sardaar (2012) | ₹9.50 crore |
| Shaitaan (2024) | ₹14.75 crore |
| Raid 2 (2025) | ₹19.25 crore |
| Son of Sardaar 2 | ₹6.75 crore |
Despite being a sequel to a commercially successful film, Son of Sardaar 2 opened lower than most of Devgn’s recent films.
Outlook for the Weekend
The film will need strong word-of-mouth and a weekend spike to sustain in theaters. With big-budget movies in the pipeline and mixed reviews already circulating, the path to box office recovery is steep.
Final Word
Son of Sardaar 2 had the star power, the franchise name, and a wide release. But it lacked the freshness and writing quality needed to connect with today's audience. Its modest opening reflects both the challenge of sequels and the evolving tastes of cinema-goers.
Published on : 2nd August
Published by : SMITA
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