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Suparn Verma on Haq: Breaking Stereotypes Beyond Religion and Labels

Suparn Verma discusses Haq beyond religion and labels

Suparn Verma on Haq: Breaking Stereotypes Beyond Religion and Labels

Vizzve Admin

Haq Should Not Be Labelled as a ‘Muslim Social Drama’: Suparn Verma Speaks Out

In a recent conversation, filmmaker Suparn Verma shared his views on the categorization of his latest project, Haq. The director firmly believes the series should not be boxed into the genre of a “Muslim social drama.” Instead, he emphasizes that the story explores universal human conflicts — love, identity, justice, and redemption — that transcend religion.

Verma clarifies, “Shazia and Iqbal could very well be Sunita and Aravind. The names are just part of the setting, but the emotions are universal.” The statement challenges the way Indian cinema often labels stories based on cultural or religious contexts rather than their emotional depth.
 

Why Suparn Verma Avoided the ‘Triple Talaq’ Narrative

One of the most discussed aspects of Haq is Verma’s conscious decision to avoid using triple talaq or other direct religious issues as plot devices.
He explains, “I didn’t want the story to become political or issue-driven. It’s about people, not propaganda. The focus was to show the characters’ personal battles and the moral choices they make.”

This decision highlights Verma’s creative integrity — prioritizing storytelling over sensationalism. It also reflects a growing movement in Indian cinema toward inclusive narratives that don’t reduce characters to religious identifiers.
 

Human Stories, Not Religious Stories

Haq stands as an example of storytelling that speaks to everyone. It explores the emotional and psychological depth of its characters, moving past stereotypical representations of communities.

Verma elaborates, “We have to stop looking at stories through a religious lens. When people see Haq, I want them to see themselves in it — their struggles, their hope, their fight for justice.”

This approach resonates deeply with audiences seeking authentic, relatable storytelling in a rapidly evolving OTT landscape.
 

The Future of Indian Storytelling

Suparn Verma’s Haq represents the changing face of Indian cinema — bold, introspective, and socially conscious without being preachy. As the director continues to push creative boundaries, his stance sends a strong message to filmmakers and audiences alike:
It’s time to tell stories that unite, not divide.
 

FAQs

Q1. What is Suparn Verma’s Haq about?
Haq is a human-drama web series focusing on themes of justice, love, and identity. It avoids religious stereotyping and emphasizes personal transformation.
 

Q2. Why does Suparn Verma say Haq is not a ‘Muslim social drama’?
He believes the story’s emotions are universal and that the characters could belong to any background, rejecting the idea of restricting narratives by faith.
 

Q3. Did Haq address issues like triple talaq?
No. Verma intentionally avoided direct political or religious debates to keep the story focused on human experiences and emotions.
 

Q4. What makes Haq different from other Indian web dramas?
Its neutrality, emotional honesty, and emphasis on human values make it stand apart from issue-driven or propaganda-style narratives.

Source credit : Devansh Sharma

Published on : 13th November 

Published by : RAHAMATH

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